Nostalgia (Part 1): The 1950s

I intend to make this a multi-part post.  I will initially discuss the concept of time-period nostalgia by analyzing the iconic 1950s, compare that to my generation’s equivalent: the 1990s, and conclude with a more personal annotation regarding my hopes for the 2020s.


Our present society holds a strong nostalgia for the 1950s.  Yes, there are hundreds of columnists who point out the fallacy of this filtered view of history, because everyone needs to criticize everything, I guess to make one’s name known as a writer.  Yet I’d hazard to make the assumption that the majority of the population is aware of the good and bad of this time period, and that few would actually want to live in that world right now.  But that’s not the point, so shut up. (Oh, and we also know that Christopher Columbus wasn’t the nicest guy to the natives, Martin Luther King Jr. had an affair, and Henry Ford only instituted the 8-hour workday because longer hours negatively impacted the bottom line–we get it, people are dicks).

Freedom from Want – admittedly a little before the 50s

The filtered view of history is intentional and self-imposed.  And everyone understands that it can’t be fabricated by any means, because you can’t go home again.

So why exactly is there nostalgia for this time period?  Without doing a deep research dive, I’ll make a theory based on my immediate knowledge as a historian.  First, what was gained:

The post-war economic boom combined with the prevalence of American manufacturing and the more democratic tax code at the time allowed for a large middle class.  This was because high-paying jobs were widely available to those of diverse skill sets and education levels, and the tax code de-incentivized wealth consolidation to the upper echelon.  In short, a lot of people made enough money to have a quality standard of living.

Second, the melancholy side of nostalgia evokes a longing for what once was but has now been undeniably lost.  This is a little more subjective, but I’ll make a few guesses:

  1. Television: this was a new technology that gradually became affordable enough to be ubiquitous.  Early television programming was therefore more innocent, simple, and family-friendly.
  2. Societal acceptance of children being outside: The older Boomers go on and on about this (yet locked their own children away).  Ironic that it’s actually a fallacy that the world was safer back then, but that’s the perception anyway, and the belief has undoubtedly shaped our attitudes about how we let our children play today.
  3. Housewives: I know this is a controversial subject, and I don’t care.  Gender roles aside, if one person was free from requiring employment, then that freed up a large amount of recreation time for all parties in the family.  Plus, there’s evidence to support a man’s sense of self-worth is correlated to how he stacks up to his wife’s economic viability.  Again, not popular, but you can’t ignore ingrained biological behavior.
  4. Societal Expectations: A bit of an irony, but limitless choice causes anxiety.  A more structured society therefore frees up the persistent mental debates over long-term goals.

Conclusion: people had more time, money, “freedom”, and clear behavioral guidelines.  Lack of life choice ambiguity and a reasonable guarantee of good wages, plus a generally positive view of the world being safer and more innocent, kept chronic stress to a minimum.  It may not have been the ideal time to break the mold, but it was a good time to live a secure and simple life.

Next: The 1990s

–Simon


Further Reading (just scratching the surface of the above bullet points):

https://en.wikipedia.org/wiki/You_Can%27t_Go_Home_Again

https://www.washingtonpost.com/news/wonk/wp/2015/04/14/theres-never-been-a-safer-time-to-be-a-kid-in-america/

https://www.telegraph.co.uk/news/health/3320392/Housewives-make-their-men-healthy-and-wealthy.html

https://en.wikipedia.org/wiki/The_Paradox_of_Choice

Cold and Snowy (Part 2)

Last year around this time I padded my lack of winter content with a January recap post of the prior year.

The list is shorter this time.  Apparently the promotion has sapped much of my creative energy:

Seeing a month of my life summarized with 3 boring-ass bullet points makes me want to reconsider some priorities.  Maybe I should volunteer?

Nah.  I’ll just drink more.

–Simon

When the Pendulum Swings Too Far Back…

…In a rather comic, yet irritating example.

I downloaded the Anthem beta (which was a demo, by the way–there’s a difference), and began the sequence with a very basic character creation.  If memory serves, the character creation boiled down to a single option, which was this:

“Pilot Voice [Female/Male]”.  The default was female, but who exactly was “The Pilot”.  I pondered a moment, considering two implications:

  1. Our society seems to prefer female voices as the deliverers of information (i.e. Siri, Alexa, et al.).
  2. We’ve hit a point where “Girl Power” has advanced beyond the point of reason.  And in fear that failure to adopt this trend will lead to both social and financial ruin, Corporate America has jumped on the band wagon and now everything marketed is pro-girl/woman.

My conclusion, then, was that “The Pilot” was either a voiceover AI (a la Cortana), or that it was the player’s voice (me).  But which was it?

I debated, and landed upon an analysis of what would bother me more:

  1. The in-game AI would have a male voice (no real problem there).
  2. My character–me–would be a woman.

Were the choice made without my input, I would say “whatever” and move on.  But the choice was mine, granted unto me by BioWare.  What bothered me was the assumption, that the game would even make a default.  Why–if the goal is equality, and the in-game choice could have been neutral through simple programming, would it choose to go to the other extreme–the polar opposite extreme of which was what caused this ongoing social battle in the first place?

The assumption for the male player-character was originally an acknowledgement of the target audience.  Then we learned through market research that gamers were split pretty 50-50 men to women, so to consciously change the default to something other than neutral comes off as a bit…disingenuously pandering.  You already had female gamers.  You had both.  Why show a preference now?

I encountered this same problem when I booted up The Division 2 demo (again-a demo).  Although not as cryptic, the default was definitively a female character.

I’ve had this post sitting in my Drafts for a month now.  I wish I had a conclusion with which to finally conclude this, but I don’t think it even needs one.  I’ll leave it as an observation.  Formulate your own opinion.

–Simon

Ode to that Tiny Fleck of Debris That Won’t Dislodge from my Eyeglasses

Static cling or Van der Waals?
You grasp eternally
Upon the lens, you won’t let go
A force of air
I breathe upon
The tiny speck–a mighty foe
Calm turns into fury.

I’m huffing, puffing, wheezing
Tenacity, I think
I will not touch the lens, to smear
And so I blow
Until at last
Expectorate, my greatest fear
I wash now in the sink.

Who Shot the Serif?

Okay I admit, I didn’t make that joke up.  But I like it so I’ll “repost” it.

My recent post on cursive got me thinking about text again.  In it, I briefly mentioned the common knowledge that sans-serif fonts were supposedly easier to read on a digital medium, whereas serif fonts were better in their printed form.  Of course, the CSS class I had taken once also touted an ideal single-line character limit as the easiest to read.  I was skeptical at the time, and talked about how to override the default WordPress line limit.  Now, staring at what I consider to be a juvenile-looking default sans-serif font, I decided that needed changing too.  In short–the Internet is wrong and I have to take matters into my own hands.

And so, you might have noticed that the fonts on this site are different now.  After some trial and error, I decided upon “Freight Text”, based on nothing more than the fact that I found it the most visually pleasing.

I have no idea who develops fonts and what’s involved with the process of their standardization.  That’s a topic for another day’s adventure through the interwebs.  But I found this brief description:

“About Freight Text

Phil’s Fonts evolved from one of the most well known and respected photolettering studios in the industry – Phil’s Photo. We carry on the traditions and standards established by its founders. As the state of typography changes in the digital era, Phil’s Fonts continues its love affair with beautiful faces, making fine typography available to artists and communicators around the world.”

Apparently there’s some studio that makes these and people decide whether or not to adopt them?  Whatever

Regardless, if you don’t have the font installed, your browser will revert to its default serif font:

    {
font-family: “Freight Text”, serif;
color: #000000;
}

And that’s it, really.  I changed the CSS for a number of elements.  Sure, fonts might be a pointless argument, but in this specific instance, I’d rather choose a more sophisticated-looking variant over its overly-simplified modern counterpart.

–Simon